Esther Diamond AUDIOBOOKS!
Graphic Audio is releasing audiobook adaptations of the first seven Esther Diamond novels!
Vamparazzi will be released in April, and the next three audiobooks in the series are planned for May, June, and July release. (And by then, I should have better news about my next regular ED book release, Goldzilla, than, “I’m still working on it.”)
Graphic Audio’s format involves multiple actors and sound effects. They describe their format as “a movie in your mind.” Click on the above links or images, and you can hear 5-minute samples of their productions of the first three books.
I was delighted when Graphic Audio approached us about producing the Esther Diamond series in audio. I was familiar with their format from having listened to some of their other productions, and I thought it would be an excellent way to present the Esther Diamond books in audio.
I’m a huge audiobook fan (I listen to audbiobooks while cooking, cleaning, gardening, doing chores, walking, driving, exercising, balancing my checkbook, medicating squirming cats, soaking in a hot tub, etc., etc.). It doubles the number of books I get to read (or “read”) in a year. And I’m an even bigger fan of radio plays. I have a huge personal library of BBC radio dramas, comedies, and adaptations, and I probably listen to those even more often than to audiobooks.
Graphic Audio combines those two formats. Instead of completely adapting the novel to script format, the way a radio play does, they still narrate the whole novel just as a standard audiobook would, but instead of the narrative telling you “Lopez said irritably,” you hear the actor playing Lopez say that line of dialogue irritably, and instead of Esther’s narrative just telling you there’s a lot of noise as she, Max, and Barclay tumble down the stairs at Magic Magnus’ shop, you hear the clatter as they tumble down. And so on.
It’s always a gamble when a writer’s story is transformed into another format, one that involves interpretations by lots of people (such as actors, directors, and sound engineers) who are not the original author. So I knew there was a possibility I would be disappointed with the result, and I braced myself for that. But I thought it was worth taking that chance, since this is such a good format for Esther Diamond. I figured in the worst case scenario (the adaptations were a big disappointment), I could always, at a later date, reclaim the rights and personally produce some standard single-reader audiobooks.
Fortunately, though, the best case scenario came to pass. Actress Colleen Delany, who plays Esther and who’s also directing the whole audio series, is doing a terrific job with these productions. The sound engineering, the other actors, the whole overall experience is very high quality and I’m genuinely thrilled with the results and love what they’re doing. (Seriously. I’d still need to promote these audiobooks even if I didn’t like them, but I am tediously honest and would never use such enthusiastic phrases if I didn’t mean them. I would say neutral things like “they’ve worked really hard” and “if you’re an Esther fan, give these a try,” etc.)
I’ve had the opportunity to listen to Disappearing Nightly in full, and I loved it. I actually forgot at times that I had written the book; in many places, I was just enjoying it as its audience. And keep in mind, it’s a book I’ve rewritten twice and subsequently re-read three times (to make sure I don’t start making continuity errors in later books), so I am heartily sick of this book. So a production has got to be good to get me to listen to that entire novel—which I did, over the course of two days, enjoying it the whole way.
Now I am eagerly awaiting the arrival of my Doppelgangster discs, so I can listen to that one, too.
* * *